history · by a contemporary
The Battle of the Marne
G. H. Perris (1866–1920)
Named on the page for First Battle of the Marne.
draft Matched to the battle automatically; not yet reviewed.
Passages that name the battle; the whole book is at Project Gutenberg.
5–12 September 1914
First Battle of the Marne
The great war has entered into history. The restraints, direct and indirect, which it imposed being gone with it, we return to sounder tests of what should be public knowledge——uncomfortable truths may be told, secret places explored. At the same time, the first squall of controversy in France over the opening of the land campaign in the West has subsided; this lull is the student’s opportunity. No complete history of the events culminating in the victory of the Marne is yet possible, or soon to be expected. On the German side, evidence is scanty and of low value; on that of the Allies, there is yet a preliminary work of sifting and measuring to undertake ere definitive judgments can be set down. Any narrative conceived in a scientific, not an apologetic or romantic, spirit may claim to further this end.
The difficulty lies less in following the actual movements of that great encounter——the most important of which, and their part in the result, can now be traced pretty accurately——than in estimating the factors that produced and moulded it. Yet, if we are right in holding the battle of the Marne to be essentially the completion of a chapter, the resultant of certain designs and certain misadventures, a vast strategical reversal and correction, such an estimate is necessary to the subject. How did the two chief antagonists envisage the process of modern warfare? Why was the action which was to close the first phase of the war, and largely to shape its after-course, fought not near the northern or eastern frontiers, but between Paris and Verdun? Why and how were the original plans of campaign modified to reach this result? What conditions of victory existed on the Marne that had been lacking on the Sambre? In a word, the key to the meaning of the battle must be sought in the character of the forces in play, their comparative numbers, organisation, and training, armament and equipment, leadership and inspiration.
CHAPTER II
“Errors,” “vanities”? These words must be justified, however gently, however briefly. To regard the battle of the Marne without reference to the grievous beginnings that led to and shaped it would be to belittle and falsify a subject peculiarly demanding care for true perspective. The battle may be classed as negatively decisive in that it arrested the invasion long enough to enable the Allies to gain an equality of forces, and so to prevent a final German victory; it was only positively decisive in the larger sense that it re-created on a sounder base the military spirit and power of France, which alone among the Western Allies seriously counted in that emergency, and, by giving the army a new direction, the nation a new inspiration, made it possible for them to sustain the long struggle that was to follow. Perilous illusions, military as well as pacifist, were buried beside the Marne. A fashion of thought, a whole school of teaching was quietly sunk in its waters. The French mind rose to its full stature as the nature of the surprise into which it had fallen broke upon it.
CHAPTER II
The French, on the other hand, admirably served by their railways,[4] put at once into the field 86 divisions (47 active, 25 reserve, 12 Territorial, and 2 Moroccan), of which 66 were at the front, with 7 divisions of cavalry, on the eve of the critical battles of the Sambre and the Gap of Charmes, in the third week of August. Before the battle of the Marne, all French active troops had been withdrawn from the Italian frontier, only a few Territorials being left there. An exact numerical comparison cannot yet be made. It seems certain, however, that, including five British and six Belgian divisions, in the whole field the Allies were not outnumbered. There was no great difference in cavalry.
Public domain. Text from Project Gutenberg.